“When someone tells me their 6-year-old granddaughter came into the room when they were watching ‘Monkey Business’ and thought Harpo was funny, I think, ‘Aha, there’s hope.It’s August 14, 1971. Stoliar doesn’t know what’s behind the current interest in the Marx Brothers, but he finds it heartening when someone young connects with them. “It was a revelatory experience for a lot of people to see it in a theater with an audience,” noted Caro. Mark Caro, a Chicago-based entertainment journalist recently featured “Duck Soup” in his monthly film screening series, “Is It Still Funny?” Playing with such as “Animal House,” “Blazing Saddles” and “There’s Something About Mary,” it scored the highest audience rating at its sold out screening. What would today’s more politically correct generation make of their films? And what would Groucho and company think of so-called safe spaces? Whether it be high society, a college campus or the fields of war, the Marx Brothers proved time and again that nothing was safe from them. The Marx Brothers were once embraced by college students. He describes his story being adapted for the screen as a cross between “My Favorite Year” and “Gods and Monsters,” through which Groucho’s final years and his fraught relationship with his assistant, Erin Fleming, is seen through the eyes of an idolizing, naïve 19-year-old.
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He marked up his parents’ TV Guides to make sure he didn’t miss any late-night broadcasts of their films or Groucho’s talk-show appearances, checked out all the books about the brothers in libraries and frequented screenings of their films at revival houses and libraries. Stoliar, who along with Bader is featured in “The Marx Brothers: Hollywood’s Kings of Chaos,” a bonus feature-length documentary in the “Silver Screen” box set, was a teen-aged Marxist. When that dissipated, I might have felt there are other things I’m interested in, but I was always going to go back to the Marx Brothers.” “It was a golden period when everybody was crazy about them and all these books were coming out and their movies were being shown. “But for me it never ended,” Bader said in a phone interview. What’s behind this sudden Marxist uprising? Bader figures that the amount of time that has transpired between today and the rediscovery of the Marx Brothers in the 1960s and ’70s is roughly equal to the time that passed since the original films were made and that first renaissance. Meanwhile, John Tefteller, who likewise worked for Groucho as a finder of rare Marx Brothers materials, is readying for release in 2017 a book/audio box set that will contain restored recordings of Groucho and Chico’s one-season radio series, “Shyster, Flywheel, and Shyster.” Rob Zombie (get over it the director of “House of 1,000 Corpses” is a rabid Marx Brothers fan) is attached to direct. In development is a screen adaptation of Steve Stoliar’s memoir, “Raised Eyebrows,” which chronicles his stint as Groucho’s archivist in the tumultuous final years of the legendary comedian’s life. Last August saw the publication of “That’s Me, Groucho: The Solo Career of Groucho Marx” by Matthew Coniam.Īnd there is more Marx in the offing. A new benchmark in Marx scholarship, the book chronicles the more than two decades evolution of the brothers’ stage act before they became Broadway’s so-called overnight sensations.Įarlier this year there was a critically acclaimed Off-Broadway revival of the Marx Brothers’ first Broadway musical, “I’ll Say She Is,” and an accompanying book, “Gimme a Thrill: The Story of ‘I’ll Say She Is,’ the Lost Marx Brothers Musical and How It Was Found” by the revival’s archivist and star, Noah Diamond. In addition to the box set, a new book about the brothers, “Four of the Three Musketeers: The Marx Brothers on Stage” by Robert S.
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